X-Files
The only thing more fun than working on The X-Files? Being interviewed about it by Mashable! Get a little behind-the-scenes on music supervision, including how Chris Carter and Glen Morgan picked music for The X-Files, here.
The only thing more fun than working on The X-Files? Being interviewed about it by Mashable! Get a little behind-the-scenes on music supervision, including how Chris Carter and Glen Morgan picked music for The X-Files, here.
It's slightly embarrassing that I have not written a post in one year plus two weeks. I have three very good excuses though: X-Files, Casual, Second Chance. These three excellent TV shows took up the bulk of my year, even though two of them are only airing as of January 2016. I won't deny I was thrilled like a giddy schoolgirl when I got the call to work on The X-Files, since I was a fan long before I ever worked in TV. To have been able to work on this series reboot was literally a dream come true, and an honor. I love all the new episodes (although my favorites are definitely "Founder's Mutation" and "Babylon"), I think the writing/directing/acting was all phenomenal and nobody has lost a step in the missing years. Here is hoping for Season Eleven!
Starting this year, I will be sharing all my show playlists at Tunefind.com, I love their interface and being able to interact and answer audience questions. We did not use a lot of music on The X-Files (except in "Babylon", when we went crazy!) but I hope you will go here if you have any questions: X-Files Tunefind page.
(PS in case you've been living under a rock, The X-Files airs Mondays at 8p on Fox until Feb 22.)
It was, after all, a wonderful year for music. Which you wouldn't know from the hundreds of discarded CDs littering my office right now. But when they were good, they were very, very good. I was in a radio kind of mood this year so I did a top songs list instead of top albums, but rest assured there is an outstanding album behind each and every one of these songs. I'm even pretty confident in the forthcoming Sleater-Kinney album, and so pleased that picking songs instead of albums allowed me to include their single and say how excited I am about their reunion, album, and upcoming tour. Which brings me to the point that it was a very good year for the ladies. Last year I struggled to include five female singers in my Top 35, but this year no less than eleven gals made my list, easily. Go, girls! Anyway, enough talk, start clicking, and listening, the best way is on Spotify, in order just like a radio show, right here:
2014 Brave Songs: Tricia's Top 35 on Spotify. Or you can look them up on your music player of choice, here they are in alphabetical order by artist
[table colwidth="200|200|200"]Artist,Track,Album, Beautiful Small Machines,Paper Planes,The DJ Stayed Home Aloe Blacc,Chasing,Lift Your Spirit Bishop Allen,Start Again,Lights Out Black English,Leave The Door Wide Open,El Prado BØRNS,10000 Emerald Pools,Candy Rosanne Cash,A Feather's Not A Bird,The River & The Thread Deerhoof,Last Fad,La Isla Bonita Embrace,Follow You Home,Embrace Ex Hex,Waterfall,Rips Fink,Green and the Blue,Hard Believer Flip Grater,Diggin for the Devil,Pigalle Glass Animals,Gooey,Gooey Greyhounds,Whats On Your Mind,Accumulator Jolie Holland,The Love You Save,Wine Dark Sea In-Flight Safety,Blue Flares,Conversation La Sera,Kiss This Town Away,Hour Of The Dawn Hamilton Leithauser,Alexandra,Black Hours Luluc,Small Window,Passerby Stephen Malkmus,Lariat,Wig Out At Jagbags Steve Mason,A Lot of Love,Monkey Minds in the Devils Time The New Pornographers,Brill Bruisers,Brill Bruisers Patrick Park,My Holding Hand Is Empty,Love Like Swords Protomartyr,Ain't So Simple,Under Color of Official Right Sea Wolf,The Waters Wide,Song Spells No.1:C Sleater-Kinney,Bury Our Friends,Bury Our Friends single Spoon,New York Kiss,They Want My Soul Chris Staples,Hold Onto Something,American Soft Strand of Oaks,Goshen '97,HEAL The Sugar Stems,Baby Teeth,Only Come out at Night Tacocat,Alien Girl,NVM Tobacco,Eruption,Ultima II Massage tUnE-yArDs,Wait for a Minute,niki nack TV On The Radio,Right Now,Seeds Tweedy,High As Hello,Sukierae The War On Drugs,Lost In The Dream,Lost In The Dream [/table]
From NY Times / Dan Brooks: "It's hard to imagine now, but there once was a time when you could not play any song ever recorded, instantly, from your phone. I call this period adolescence. It lasted approximately 30 years, and it was galvanized by conflict. At that time, music had to be melted onto plastic discs and shipped across the country in trucks ... " Full NY Times piece here, "Streaming Music Has Left Me Adrift". And this is why I peruse the NY Times music section from time to time folks - a lovely piece of prose that puts into words what we indie kids of the nineties have lost with the digital music revolution. A must read. Thank you Dan Brooks. And perfectly illustrated by the genius cartoonist Tom Gauld. Now go caress some vinyl.
PS After I wrote this I noticed that there is a lot of criticism about this piece on the internet. I think his critics are missing the point - it's just an amusing take on some things the author misses about the pre-digital music era. I'm not sure why everyone is taking it so personally and/or seriously. Lighten up, people!
from CNET / Joan E. Solsman & Share Tibken: "Apple's iTunes scores U2's new album. You score it free. Every iTunes customer -- more than 500 million people, but who's counting? -- get the band's new album free in what CEO Cook calls the largest record release in music history."Full CNET article here.U2 "Songs Of Innocence"iTunes | Artist Site
This is too big of a story to ignore -- U2 and iTunes are literally giving the entire new U2 album away free to anyone with an iTunes account. Not just a single, no email list signup required, no messy zip file downloading from a band site, no recursive bandcamp authorization emails. I completely see the benefit from U2's side - they can launch a massive tour later this year for their fans that didn't have to think twice about obtaining the new album. Also, they're getting press in publications like Forbes, CNET & WSJ that normally wouldn't cover a new U2 release. For iTunes, I guess its just a huge loss leader to get people to the store. Or maybe U2 even paid out some version of the profit that Apple would otherwise collect on such a huge release. Maybe Apple thinks this will bring in those remaining few holdouts that don't yet have an iTunes account, or maybe they just did it so Amazon wouldn't do it. Hmm that last one seems the most likely!
Here's a Wall Street Journal article that reveals some more of the machinations behind this free release. U2, Apple and the Deal Behind Getting ‘Songs of Innocence’ Free of Charge They mention U2's major label, Universal, but not the publisher, I'm curious what deal was struck there to pay the publisher for the mechanical licenses. Is this a new model for album releases? Only a few bands have the market power to pull this off, and persuade their major label, their publisher and an online distributor to go along with it. Regardless of how much money/benefit all parties made off of the deal (per the WSJ article), I'm impressed that these entities so entrenched in the standard music business model were brave enough to try it. I do think this model can work for baby bands, especially those that are unsigned and retain the rights to their publishing, and many smaller bands do give their music away free on their sites or bandcamp, hoping that translates to fans that will buy tickets and merch when they come to town.
A few last thoughts/notes:
I downloaded the album with surprisingly little hassle--from the front page of the iTunes store, click on the link that says 'Purchased' under the QUICK LINKS menu on the far right side. Then you'll see the album with a little cloud symbol in its top right corner. When you click on that the album will download into your iTunes library. I'm listening to it right now and it's good --better than their last few by a long shot.
The album liner notes have a nice dedication to Paul McGuinness, their long, longtime manager who they parted ways with last year. That's sweet.
Anybody else find it ironic that the liner notes are formatted and typed as though they were done on an old-fashioned typewriter font? That's so dissonant with the most high-tech album release of all time that I've got to think its on purpose.
Since U2 engineered such an impressive feat, can the next thing on their to-do list be to make Tim Cook fix iTunes so that album digital booklets can be viewed within the app? It's so awkward to look at it in a separate Acrobat window. Should be child's play to Apple after pulling this release off.
From www.sleater-kinney.com: On October 21st, Sub Pop Records will release 'Start Together,' a 3,000-copy limited edition deluxe vinyl box set comprised of remastered editions of Sleater-Kinney's seven studio albums spanning 1995 to 2005. The set will include all seven albums pressed on colored vinyl and is accompanied by a 44-page hardcover book featuring never-before-seen photos of the band, as well as a limited edition print. The remastered albums will be released individually on CD and black vinyl on the same day. All are available digitally today as of September 2nd. Full announcement on the remastered releases here.
This is one of my all-time favorite bands and any fan would want this box set I'm sure! The combination of these three musicians was magical, and the fact that they were women that rocked just like the men made it that much more satisfying. I think I might want the vinyl ... although the CDs would be great too ... cannot wait to browse the photo book!
Sleater-Kinney "Start Together"iTunes | Sub Pop Mega Mart (Fans who pre-order the box set from Sub Pop will receive immediate access to download high-quality remastered files of all the albums.)
Excerpted from NPR's First Listen: Hamilton Leithauser, "Black Hours" by Stephen Thompson: "The singer largely tones down the briskly jangled rush of The Walkmen's sound throughout Black Hours, as he steers many of its songs toward a slow-burning seethe that suits him well. But there's still a looseness to the record that allows Leithauser to play around on new terrain ...". Read the rest of NPR's review here.
I've said before in this very space, don't get too bummed out when your favorite band breaks up because it might lead to something delicious. After seven fine albums with the Walkmen and 10+ years, I don't blame Mr. Leithauser for wanting to try something different. Much of what I loved about The Walkmen is still found in his new work, but its also more intimate and allows for a more profound listen if you give it a chance.
Dig in! Hamilton Leithauser "Black Hours"Amazon | iTunes | Artist Site
#MusicMonday AND Emmy night, seems like an appropriate time for a Fargo Music Wrap-Up since they received SEVENTEEN Emmy nominations, second only to Game Of Thrones. Fargo was an absolute delight to work on, it was somewhat magical how everything came together each and every episode -- which is not to say it wasn't a lot of hard work by everyone in the Post department, editors, sound designers, mixers, vfx and producers alike! We were always very conscious of keeping the tone consistent and not breaking the Fargo 'spell', to that end we relied heavily on Jeff Russo's gorgeous score which was recorded by musicians in Prague - in the same room where Einstein first presented his theory of relativity! See what I mean about magical? Go here if you want more info about the score, and read on for the list of songs that we licensed for the TV Series. Licensed Songs in Fargo Season 1, Episodes 5-10 (I split the season with music supervisor Michael Perlmutter, but if you have questions about the first few eps I can probably track down an answer for you, try me on Twitter @bnwtricia.)
[table colwidth="20|100|350|100|50"]Ep,Scene,Song,Artist,Links 5,"Opening song, general store",Wildwood Flower,The Carter Family,"
~~
~~
" 6,Don's demise,Easter Vigil: Litany,Benedictine Nuns of the~~Abbey of Notre-Dame~~& d'Argentan,"
~~
~~
" 6,Happy Stavros drives,Requiem: Sanctus,London Symphony Chorus~~Royal Philharmonic Orch.~~conducted by Richard Hickox,"
" 6,Lester is winning,Piccola,Adriano Celentano,"
~~
~~
" 7,Mr. Rundle aquacizes,Round n’ Round,Junior Mays Group,"
~~
~~
" 7,Lester visits Gina,Trouble Trouble,Betty Roche,"
~~
~~
" 8,Gus comes home,The Time Was Right,Annie Ross,"
~~
~~
" 8,Family dinner,Dallas (from The Odessa~~Sessions),Flatlanders,"
~~
~~
" 8,Lester in hotel lounge,Midnight Love,Tennishero,"
~~
~~
" 9,A dentist works on a patient,Yodel Boogie,Wylie and the Wild West,"
~~
~~
" 9,Malvo puts on a record,Green Tambourine,The Lemon Pipers,"
~~
~~
" 9,Malvo and Bert discuss Bert’s brother,East Coast Raga,The Donkeys,"
~~
~~
" 9,Malvo in hotel lounge,Midnight Love,Tennishero,"
~~
~~
" 9,Family breakfast,Lonely Melody,Dorothy Ashby,"
~~
~~
" 10,Lester establishes his alibi,Morning,Steve Turre,"
~~
~~
" 10,Molly joins Gus & Greta watching TV,"Fargo, North Dakota",Carter Burwell,"
~~
~~
" [/table]
I've worked on many great pilots that didn't get picked up, to be honest. But it would have been particularly heartbreaking if this near-perfect pilot and concept didn't get a shot. I music supervised the pilot in April 2014 and it was one of the first series picked up by NBC this year. The wonderful script was written and developed by Adam Armus and Kay Foster (Heroes producers) along with Peter Horton, who also brilliantly directed the pilot. Word is it won't air until Winter 2015 because Peter wanted to shoot in Morocco, as he did the pilot, which created a beautiful and dangerous landscape for the international part of the story. You can read more about it on the NBC Odyssey site, they liken it to "Traffic", I think it's more like "Homeland" with a corporate corruption angle instead of CIA intrigue. I'll post more about the music here when we actually get started. And P.S. the cast is super-talented and super HOT!
There's a fine festival taking place in L.A. this very weekend, FYF Fest with Phoenix, Interpol, The Strokes, Slowdive (what?), Slint (whaaaat?) . But on the chance that you just had surgery and are laid up in bed, out of funds, hate crowds or can't find a babysitter for the tots, here's a great alternative: watch the British classic Reading & Leeds festival from home this weekend. Vampire Weekend, Arctic Monkeys, Jake Bugg and QOTSA? I'm in. No plane ticket or tent required. Here's a handy guide from NME as to set times. Reading & Leeds Festival 2014 - NME's Guide To What To Watch From Home
From NY Times/Dave Itskoff "ITSKOFF: You’re known for being a prolific songwriter, yet your new album, “Ryan Adams,” is your first in three years. What took so long? ADAMS: Some of that time was life, like yardwork, walking the dogs. I made a record with Glyn Johns, and we spent a bunch of money on it too. Then I had to go sit at a dinner table with my manager and the head of Capitol Records and say, “Hey, man, you can’t put this out.” It was about losing my grandmother. It was too sad."
Nice interview with Ryan Adams in the NY Times (his new album comes out Sep 9), although it's clearly sensationalist of them to highlight the weed comment. Ryan mentions that he lost his grandmother which even makes me sad because I read about her in his introduction to "Our Noise", the book about Superchunk and Merge Records. His introduction to that book was so eloquent, heartfelt, and unexpected that it remains lodged in my memory like a shiny penny. Here is an excerpt, which I typed in by hand, (apologies copyright gods) but maybe a few of you will get interested in the book. It's a must for 90's indie rock fans. You know who you are.
Your Noise-My Noise
by Ryan Adams
All my favorite records and your records crackle like summertime crackles like fried eggs stove-side or accidental fireworks backyard heavy in North Carolina on the coast--mid-day it gets so hot even inside, in the cool, the blazing waves of electric orange light pant like a litter of starving dogs just outside the gate--yeah, sometimes you need comics or records to get you through until the dust settles and the damp evening can cool your brains down enough to see past your own stupid face. That was me. Me looking at my first 7-inch record. I was all "what" and "huh," you know ...
Merge 7-inch singles came packaged like candy. They also looked a little like comics, which was good because I liked both and I liked girls so much they scared me so it all seemed like the perfect distraction, at least to me, and surely to my grandmother, who would patiently listen with me on our portable record player in the wood-paneled kitchen while she baked this or that cake or whatever--she liked how much cymbal crashing was going on--somehow overlooking the melodic weirdness or angst, how forgiving and awesome those moments--in fact before I had money for records she would write the checks and mail them for each PO-boxed 7-inch I desired in exchange for however many times the lawn got mowed but I did that anyway so really she funded my habit, embarrassingly.
He goes on it great detail about what receiving these 7" records in the mail meant to a young South Carolina misfit. Eventually he met Mac (of Superchunk) at a show and everafter pestered him with questions about his record label, making 7"s, the record business, etc. It's really a sweet story. And that's all just an introduction to the book that goes on to relate the story of Superchunk and Merge Records and many more stories of music in the 90's. You really should Buy The Book!
excerpted from the NY Times/Monte Reel:
"In an office near the back of his 25,000-square-foot warehouse in São Paulo, Zero Freitas, 62, slipped into a chair, grabbed one of the LPs stacked on a table and examined its track list. He wore wire-rimmed glasses, khaki shorts and a Hard Rock Cafe T-shirt; his gray hair was thin on top but curled along his collar in the back. Studying the song list, he appeared vaguely professorial. In truth, Freitas is a wealthy businessman who, since he was a child, has been unable to stop buying records. “I’ve gone to therapy for 40 years to try to explain this to myself,” he said.
His compulsion to buy records, he says, is tied up in childhood memories: a hi-fi stereo his father bought when Freitas was 5 and the 200 albums the seller threw in as part of the deal. Freitas was an adolescent in December 1964 when he bought his first record, a new release: “Roberto Carlos Sings to the Children,” by a singer who would go on to become one of Brazil’s most popular recording stars. By the time he finished high school, Freitas owned roughly 3,000 records.
After studying music composition in college, he took over the family business, a private bus line that serves the São Paulo suburbs. By age 30, he had about 30,000 records. About 10 years later, his bus company expanded, making him rich. Not long after that, he split up with his wife, and the pace of his buying exploded. “Maybe it’s because I was alone,” Freitas said. “I don’t know.” He soon had a collection in the six figures; his best guess at a current total is several million albums."
Read the full article here, I beg you.
There are many things I could have written about today, but this man touches my heart. I love him more than a little, and if I were not already married, might in fact send him a proposal. He is singlehandedly saving vinyl, an art form that is unique, precious, and captures a moment in time like no other. He is preserving it and making a library (I might say a sanctuary) that people can visit, learn about and either re-live or begin to appreciate this art form. This exact same idea occurred to me several years ago when I saw a documentary about a man in New York with a million records that he couldn't sell. I daydreamed about getting a grant to buy them, and bringing them to a Culver City warehouse and making a library where students of music could have access to this amazing archive. I am so pleased to know that someone wealthy is carrying out my plan in an even grander style than I dreamed of. This is the sort of thing rich people =should= do with their money but rarely do. Hail Zero Freitas, the saviour of vinyl.
From NME.com: "Last week something really exciting happened in the world of music. Musicians Cat Power, Kim Gordon, Yoko Ono and Courtney Love joined with artists such as Marina Abramovic and Pussy Riot and other creative people to support a new revolutionary venture in the form of an educational platform for teenage girls."
Read the rest of this article where Cat Power rips on the current system of education in the U.S.
She also has a solution -- she's helping a lot of other creatives start an online imagination school for girls called The School Of Doodle. You can see their Kickstarter video here, the school is just in the beginning phases but currently being tested by the people it was designed for, teenage girls. I love that the internet can be used for something this awesome. I'm reminded of a wonderful book I just read called "The Diamond Age", a postcyberpunk novel by Neal Stephenson which details a future in which a certain set of teenage girls get creatively educated and basically get set up to take over the world. I know you can leap to a stereotype of a shallow, annoying, frivolous teenage girl but that's not what these girls are like. They're thoughtful, resourceful, strong, caring and resilient. And I think Cat Power and her buddies are on the right track to harness the imagination and determination of teenage girls. I'd rather be with them than against them, that's for sure!
from the LA Times/Randall Roberts:
"It takes only a couple of dedicated people to build a music scene. If what they do is righteous and resonates, listeners searching for community will gather. If, like Burger Records, what they envision becomes reality, fans will pack clubs to pogo, slam, stage-dive and sing along.
As proved by the scrums of believers dancing at Saturday's sold-out Burger a-Go-Go, a wild, celebratory, festival of girl punk centered on Fullerton's electrifying Burger label and record store, they'll share, support and spread the word. They'll even help revive a dying recording format, the cassette, by buying tapes at five bucks a pop to play in the TEAC deck that Dad never threw away.
Starring a team of underground bands bent on injecting fresh fuel into catchy three- and four-chord power jams, Burger's fest offered a deft, joyous, seamlessly delivered lineup of acts including Shannon and the Clams, the Coathangers, La Sera, the Muffs, Bleached, Dum Dum Girls and Best Coast. Each ripped through quick songs within quick sets on three different stages at the Observatory in Santa Ana and set the dance floors aloft.
That every band on the roster was fronted by a woman seemed both beside the point and exactly the point. Most rock festivals, after all, are default guy-rock gatherings, because fellas with guitars have run the scene, the biz and the studios. So a focus on the female perspective stands to reason."
Read the rest of the article here.
I love love love what Burger Records is doing out of Fullerton - my birthplace by the way! It is easy to find examples of music getting more and more mainstream and commercialized, labels and record stores going under. But this proves that there will ALWAYS be a place for independent thinking that will appeal to music fans. It makes me happy.
Just a quick note to let you know that the gorgeous score for Fargo (An Original MGM / FXP Television Series) is now in stores! Composer Jeff Russo is a real talent and I enjoyed working with him on Fargo immensely. He and Noah envisioned the score before a frame of film was shot, and he wrote the main themes in advance, which worked out beautifully. They required an orchestra to really bring the score to life, which meant recording overseas due to budget constraints that eliminated the option of using local union musicians. It was worked out so that Jeff could remotely be involved with the recording sessions via an advanced kind of video chat, communicating directly with the Prague conductor as it was happening. It was a pretty ambitious undertaking but it all worked out, as you could hear throughout the season!
Jeff Russo - Fargo (An Original MGM / FXP Television Series) Amazon | iTunes | Artist Site
PS Aug 25 update: I just posted a list of all the songs I licensed for the Fargo TV series here.
Music Supervisor for television series inspired by Coen Brothers film. Sourced authentic, obscure vintage blues & pop recordings to match very specific tone of series. (March 2014-current)
Once upon a time there was a band called Pela. Pela captivated me with their 2007 album Anytown Graffitti, regrettably released just when my show at KCRW was ending or I would have played the hell out of it there. As it was, I included their song "Lost To The Lonesome" on my "Best of May 2007" list and told anyone who would listen all about it. In October of 2007 I attended the College Music Journal convention in NYC and was lucky enough to catch them at the Bowery Ballroom. The show was memorable to me not only for their amazing performance but because the lead singer Billy McCarthy looked more like a highschool quarterback than an indie rocker. Not to mention a voice that could either be raspy and energetic like Bruce Springsteen or gorgeous and haunting like Gary Lightbody. Lush guitars that were engaging but not overly grand. Their influences, Bloc Party, Springsteen, Interpol were apparent but combined in such a non-conventional way, and with such a distinct sound of their own that it was only appealing. They were indie for sure and I was hooked. I was bummed when I heard that Pela were breaking up in 2009 after just one album and one EP. But looking on the bright side, I thought that maybe the breakup would eventually lead to more wonderful music, like when Uncle Tupelo morphed into Wilco and Son Volt. Or Minneapolis' Lifter Puller became Brooklyn's The Hold Steady. Luckily, my wish came true. By 2011 Billy McCarthy and his Pela bandmate Eric Sanderson had formed a new band called We Are Augustines, recorded a bunch of songs they had been working on when Pela broke up, and released an album titled Rise Ye Sunken Ships that painfully (but beautifully) dealt with the death of McCarthy's mother and the suicide of his brother. Three years later (they don't rush things, do they?) we have what is already a 2014 highlight, the new Augustines album, self-titled. (Slight name change for the band from We Are Augustines to just The Augustines) It has all the qualities I loved about Pela and they've settled into themselves with a confidence that makes it even more appealing. It opens with a beautiful instrumental and the next song, Cruel City, should convert you if you are not already a fan. If you are tired of The National because their songs all sound the same or feel like The Arcade Fire is just a bit overwrought, The Augustines' passionate restraint (I know that's an oxymoron) might be just the ticket for you. And with about 50 U.S. and international dates coming up, they are sure to be near you soon!
The Augustines - The Augustines: Amazon :: iTunes :: Official Site
You might have missed it since Bono and his moving words about Nelson Mandela were next up on stage, but longtime Los Angeles indie rocker Alex Ebert won the Golden Globe last night for Best Original Score for Robert Redford's film "All Is Lost". Alex was the genius behind Ima Robot from 2003 to 2010 and more recently one of my favorite bands, Edward Sharpe & The Magnetic Zeros (Edward Sharpe being a ficticious character). If I had made a best of list for 2012 (blame that on the twins), his album "Here" would definitely have been on it. I also love 2009's "Up From Below", it was a slow burner with me but came on strong. We featured the song "40 Day Dream" from that album in the final episode of NBC's much overlooked TV series "Mercy", which starred a then-unknown Taylor Schilling who also received her due last night as a nominee for best actress in a comedy series for her role in "Orange Is The New Black". I wonder what I'm working on now that will show up in Golden Globes in a few years ?!?!
You won't be sorry if you spend some time with Alex Ebert's music, easy links below:
Some people spend December making lists of gifts ... I spend it making lists of albums. First a "definitely best of" list ... then a "possibly best of" list ... then a "better listen to that" list. Many headphone hours later, I always arrive at a clear cutoff point between the albums I am willing to go to the mat for and the albums that, although good, don't quite measure up to my absolute favorites of the year. I don't pad out the list to make a nice round number, I just let it lie wherever it naturally falls. This year the cutoff came at 35 albums. Now that might seem like a lot of records to you, but I estimate that 5000 albums, at least, passed through my office this year. That means these 35 were not just in the top 1%, but in the top .7% of albums released in 2013. So I think you should check them out. Chances are you'll find something good. Peace, ~tricia P.S. you can easily sample each album by using the Amazon or iTunes links below the artwork - I spent a ridiculous amount of time embedding these links so I hope you use them! Also, here is a BEST OF 2013 SPOTIFY PLAYLIST but be warned that several artists are missing from Spotify, including Thom Yorke's Atoms For Peace, Wildlife, and only two tracks are available from the excellent Storyman album.
P.P.S. They're in alphabetical order by artist name. Adding rankings to this list is futile when I love them all in their own unique way. There would be a different #1 every day!
I was delighted to work with Liz Heldens (Mercy, Deception) on Camp this summer although it meant I didn't really get a summer vacation! But I did get to watch a lot of summer fun, which is almost as good as going away. Also, I was able to put a lot of my favorite bands into these ten episodes, man, we crammed a lot of music in here! I made a Camp Spotify playlist as best I could although quite a few of the songs are not on Spotify. So here is the official official list of what was in the first nine episodes of Camp. I'll update with the tenth episode next week. Any questions, find me on twitter ...
CIT Overnight
While the CITs enjoy a camp ritual, Robbie has a wild day off.
A Summer Thing
Cayucas
Anything You Want
Jars Of Stars
Argonauts
The Little Ones
Start Somewhere
Dry Spells
Best Thing Yet
Switzerland
Another Love
Dave Calandra
Time And Place
Last Dinosaurs
Down River
The Temper Trap
Really Great World
Fixers
Harvest Moon
Mack's father starts a prank war with Camp Ridgefield; Kip lays it on the line for Marina.
Best Day Of Your Life
Katie Herzig
All That I Needed
Fremont
All Sense Of Time
David Wax
The Wedding
Heartbreak hits Camp Little Otter hard when Raffi and Todd decide to get married.
Best There Is
Stray Palace
Don't Stop Dancin
Kaskade
Locked Out Of Heaven
Bruno Mars
Take A Walk
Passion Pit
Stubborn Love
The Lumineers
Parent's Weekend
The CITs' parents descend, bringing a whole lotta drama to Camp Little Otter.
Every Little Thing
Valley Lodge
Spark
Fitz and The Tantrums
My Heart
Whitley
Heat Wave
As temps climb sky-high, life around Camp Little Otter heats up big time!
House On Fire
Fitz & The Tantrums
Love Natural
Crystal Fighters
Drop Down
Designer Drugs
Hello
The Potbelleez
Don't You Know
Homy
Something Is Not Right With Me
Cold War Kids
Sunshine Ft. Adeaze
Alphrisk The Apostle
Valentine's Day In July
Camp Little Otter celebrates the spirit of love with a carnival for charity.
Stubborn Love
The Lumineers
Miracle Mile
Cold War Kids
East Coast Girl
Cayucas
Fresh Til My Death Feat. Mareko
Devolo
Lost In Time
Whitley
Food Fight!
Be Your Own Pet
Weekend
Last Dinosaurs
Song Of Birds
Races
Riptide
Vance Joy
Back Of My Mind
Aaradhna
Finally Free
Grifter
Stars
The Weight & Hurry
The Mixer
Little Otter hosts the annual mixer with Camp Ridgefield - hijinks ensue!
Put a Light On
Generationals
Everything's Cool
The Androids
Gotta Crush (instrumental)
Cocktail Slippers
Cayucos
Cayucas
Do My Thing
Estelle
O.P.P.
Naughty By Nature
World Of Beauty
Fixers
Where The Kids Are
Blondfire
It's Alright
Brotha D
High School Lover
Cayucas
Capture The Flag
Mack's ex returns to Little Otter, wreaking havoc during an epic game of Capture the Flag.
Heaven
The Walkmen
Hold Me Up
Nazca Lines
Lorena Bobbit
Aaradhna
Chandeliers
Summer Fiction
Tuxedos
Cold War Kids
Credit Cards
The Falcon
Alive
Empire Of The Sun
The Same Tattoos
Fences
Pilot
Mack Granger struggles to keep Little Otter Family Camp afloat as her campers arrive for another unforgettable summer.
Out Of My League
Fitz & The Tantrums
Brighter Day
Sam Gray
Two Weeks
Grizzly Bear
Do Your Thing
Sweet Lorraine
Unbelievers
Vampire Weekend
We Run The Night
Havana Brown
Juvenile Thrills
The Launderettes
Tales and Truths
Black Apples
Say Yeah
Eastern Edges
Lightning Tent
Wildlife
We wrapped the season on a sobering note when we heard the sad news that the camp that Liz and her family attend each summer, Camp Berkeley Tuolomne, was wiped out in the Rim Fire that devastated a lot of California parkland including large parts of Yosemite. Thankfully nobody was hurt as there was time to evacuate but its upsetting news for all the families that made a lot of memories there.